Newsletter Issue 62 - April 2014
In this issue:
			
					Artist's rights organizations
					Trademark secrecy
					Provisional patent applications
Ask Dr. Copyright ...
			Dear Doc:
			
			I write the songs that make the whole world sing. Unfortunately, 
			with all that songwriting, I really don't have the time to listen to 
			every radio station that plays my songs, every online store that 
			sells them, and every band, chorus, glee club, and lounge act that 
			covers them so that I can collect royalties. I have heard that there 
			are organizations that will do all of that for me, and even sue 
			people who don't pay up. What gives? I thought that "trolls" were 
			the bad guys, but this sounds like just what us musicians need in 
			order to make a living.
			
			Barry M.
			
			Dear BM:
			
			The organizations you're referring to are called "Artists' Rights 
			Organizations" (AROs) and there are three big ones: Broadcast Music 
			Inc. (BMI), American Society of Composers, Authors and Publishers 
			(ASCAP) and the Harry Fox Agency (HFA). Each one of these companies 
			is a nonprofit that licenses, collects, and distributes royalties on 
			behalf of musical copyright owners. BMI and ASCAP license public 
			performance rights to venues such as concert halls, bars, 
			restaurants, stores, etc.. HFA licenses "mechanical" rights, which 
			include the right to make CDs, records, tapes, and certain digital 
			products. In addition, there are more than 200 similar organizations 
			worldwide, and many have reciprocal agreements with one or more of 
			the US-based AROs. Not to confuse you more, but record labels also 
			license rights, and they have their own organization, the Recording 
			Industry Association of America (RIAA).
			
			It's interesting to note that none of these companies writes any 
			music at all! Nor do they arrange it or perform it. They just 
			collect the royalties, and when someone refuses to pay up, they 
			bring law suits, relying on the Copyright Law (17 U.S.C. §101, et 
			seq.) which provides, among other things, that they can collect 
			attorneys' fees, and ask for statutory damages of up to $150,000 per 
			song played or copied. But, I hear you shout, "Last month, Doc, you 
			told us that this is pretty much exactly what companies that are 
			being called "patent trolls" do with patented inventions! They don't 
			invent widgets, and they don't make the widgets...they just offer to 
			license patent rights, and when someone refuses to pay the royalty, 
			they bring a law suit in which they demand a 'reasonable royalty'".
			
			Yep...exactly! So there you have it. AROs are respected for the work 
			that they do to help musicians make a living by licensing rights, 
			collecting royalties, paying artists, and policing the use of the 
			rights by using the legal system. They are important because, to 
			quote the ASCAP website, "We know that there are many steps between 
			creation and compensation. A music creator is like a small business, 
			and we exist to ensure that ASCAP members are paid promptly and 
			fairly when their compositions are performed publicly." Now, to 
			quote one "patent troll" website, "Patent licensing can be an 
			effective and efficient way to maximize the profit potential of a 
			patent. A patent license agreement grants a third-party user of the 
			invention (an infringer) permission to practice the patented 
			invention in exchange for remuneration."
			
			So there you have it. Patent trolls: BAD. Copyright trolls: GOOD.  
			Go figure!
			
			If you have a question about how to license your intellectual 
			property, give one of the attorneys at LW&H a call. They're not 
			trolls, but they do understand how to help creative people protect 
			and profit from their creations, whether they are widgets, music, or 
			some other wonderful new thing that will be the next hit.
			
Keeping the Cat In the Bag When Filing a Trademark Application
			One of the potential down sides of filing a trademark application 
			with the United States Patent and Trademark Office is that the 
			application, including the identity of the owner, is of public 
			record, accessible to anybody.
			
			If secrecy is important to your company's marketing strategy then 
			filing a trademark application is not an act to be taken lightly. 
			So, if you are, say, Apple Computer, and you rely upon the 
			anticipation of the product announcement to build up market hype and 
			eventually sales, you will need to keep your trademark filings 
			secret until the product announcement. How do you do that without 
			spilling the beans?
			
			The tried technique for maintaining secrecy is to create a dummy 
			corporation that no one will recognize for filing your trademark 
			applications.  Once the need for secrecy evaporates, the dummy 
			corporation assigns the trademark to its true owner.  Apple, in 
			fact, uses this technique. 
			AppleInsider recently reported that a 
			Delaware corporation called BrightFlash USA LLC recently filed a 
			host of trademark applications for the iWatch trademark.  (Okay, 
			everybody knows or thinks they know that Apple will be releasing a 
			new product called the iWatch so what's the point of keeping it 
			secret? I guess it's because nobody knows for sure.) 
			
			It's not completely clear whether BrightFlash is actually an Apple 
			Computer surrogate, however, numerous trademark filings for iWatch 
			in the United States, the United Kingdom, the European Union, 
			Australia, and Denmark, strongly suggest that Apple may be behind 
			the trademark applications. AppleInsider also reported that there 
			were numerous applications filed by BrightFlash for the iWatch 
			trademark in smaller countries. Just an interesting tidbit from 
			those who monitor trademark filings.
			
Provisional Patent Applications - File Early and Often
			A provisional patent application is a temporary application that 
			provides patent-pending status for one year.  The provisional 
			application can be a relatively low-cost way to preserve your patent 
			rights while you develop your invention.  The protection offered by 
			a provisional patent application is only as good as the information 
			contained in the application and only addresses the invention as 
			disclosed in the application.  The provisional application must 
			include enough information in the specification (the narrative part 
			of the application) and the drawings so that a person who is 
			knowledgeable in the technical field of the invention can make and 
			use the invention. 
			
			To have any continuing value, your provisional application must be 
			followed within one year by a full U.S. non-provisional (utility) 
			patent application.  If the invention is one for which you will seek 
			international patent protection, your international patent 
			application(s) also must be filed within one year of the provisional 
			filing date.
			
			If you develop improvements to your invention while your provisional 
			application is pending, the improvements are not protected.   What 
			to do? File another provisional application addressed to the 
			improvements.
			
			
			
 
									
			
		